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Welcome to Mondo Heinlein. Something like this had to happen eventually. With a subject this fecund, and a wealth of contributions, Mondo Cult opens the Doors of Perception to imagination unafraid.

My only regret is that my friend, Bill Patterson, is not with us for the launch party. He finished his life's work of the Authorized Biography of Robert A. Heinlein in time for us; but not in time for him to reap the rewards of his splendid craft and dedication.

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The Unravelling

Calgary’s Progressive Rockers

Nail it with New Single

Welcome Back Steve Moore!

Just under two weeks ago, Independent Music Promotions announced the release of REVOLT, the new and introspective single from Calgary’s The Unravelling. We’ve not heard from this band since lead singer Steve Moore’s (happily) successful battle with cancer. Before this dark episode in their collective career, The Unravelling opened for acts such as Helmet and Bison BC, topped the CJSW Metal charts and had been nominated for three 2010 Alberta Metal Awards, winning in the Best Album Production category. Not too shabby.

Since REVOLT’s release, The Unravelling have been putting out 24 separate art pieces—each with lyrics to REVOLT—over a total of 24 days: This in celebration of the single which will end with the full cover.

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Richard Hatch and Brad Linaweaver interviewed at MegaCon 2014

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SILICON ASSASSIN on YOU TUBE | Keep Up With The Hit Counter!

Lest we forget, we honor the original cast that launched the Silicon Assassin series.
(L to R) Vicki Marie Taylor, Paula LaBaredas, Charles P. Hammill, Victoria Plumb,
and our star, Richard Hatch.

In Print: Order Your Hard Copy Of Mondo Cult Today!

Click The Cover To Order. This is all there is and there ain't no more...!

"MONDO CULT comes as a cool breeze of giddy literary fun... Your inner Monster Kid will freak out!"


"As the title suggests, the focus is on the world of cult entertainment. The first issue contains departments addressed to new movies on disc, new music (including an especially solid collection of soundtrack reviews), new books, and more."

—Tim Lucas - Video WatchBlog

Read Interviews With Mondo Cult Editor-In-Chief, Jessie Lilley AT

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Ready to start your Holiday Shopping? Go Shopping with Mondo Cult!

Just click on one of the widgets and away you go to, for all your Holiday Shopping. That's all you have to do to help support small press publishing and keep your favorite genre mag alive! Have fun!

Mondo Cult Online Proudly Presents

The February 2015 column: BOLDLY GOING

Check Back Monthly for a New Column

My Nearly Fifty Year Long Love Affair with

Six Men and One Woman

I have been a lot of things for a very long time.

I’ve been an Oakland Raiders fan for so long, I bleed silver and black. I’ve been a collector of monster magazines, (many issues in my complete collections of the Warren/Ackerman Famous Monsters Of Filmland and Castle Of Frankenstein are the original copies I bought as a kid) I’ve been a film geek since I could first walk, and I’ve loved science fiction and horror TV series since I first saw the awe and mystery of The Outer Limits, The Twilight Zone, and a handful of others flicker across my television screen in the very late fifties and throughout the sixties – although, to be perfectly honest, when the really early ones like Science Fiction Theater appeared on television when I was 1 and 2 years old, I was probably more interested in using the TV’s white oak cabinet for teething, so I don’t know if those super early years really count.

Read The Full Article by Richard J. Schellbach...

The Continuing Adventures of Mondo Girl

Stupefyin' Taylor

Where HAS Our Girl Been?

Mondo Girl Vicki Marie Taylor has been pretty busy lately, but we finally have a new update. Her latest role will be filming this summer in LA. It’s a part in a horror film that is already in production.

Since our last update, that of Mondo Girl’s participation in her local Gay Pride Parade in Arkansas, she has been spending what little free time she has, with her daughter Savannah, who now jokingly refers to her famous Mom as Lady Vicki. The rest of her time is spent preparing for this summer’s role.

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Hammer Imperialist Studies No. 1

Terror of the Tongs

by Ron Garmon

The glory years of Hammer coincided not only with what film critics now recognize as a golden age of British cinema, but also the final fadeout of the British Empire. That this played out by proxy on U.K. cinema screens has been taken by for granted by critics and cultural observers since the first James Bond movie, so it isn’t surprising that we see this specter of a subtext haunting the Studio That Dripped Blood, particularly their historical adventure films. While major studios and international production companies spent floods of cash recreating the short life of T.E. Lawrence (Lawrence of Arabia), the Battle of Roarke’s Drift (Zulu), “Chinese” Gordon’s dramatic demise (Khartoum), Tennyson’s deathless ode to upper-class incompetence (The Charge of the Light Brigade)—Hammer took the predictable route of creating violent, lurid, character-driven melodramas out of the more exploitable elements of colonial exploitation. Calling Hammer’s end of this genre “U.K. Grindhouse” or “Mondo Bray” or even “Empiresploitation” wouldn’t be wide of the mark, except the latter term is more than a little redundant.

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Columbia Pictures


reviewed by Jerry Jewett

Writer Dan Sterling has written abundant material for television, giving him the insider’s knowledge needed to script a movie about a duo of ratings-mad documentary/exposé and talk-show TV personalities, fellows who seek both enhanced professional respect and a major ratings coup. Host and Interviewer Dave Skylark, played by James Franco, discovers to his great surprise that North Korea’s dictator Kim Il Jung (Randall Park) greatly enjoys The Dave Skylark Show as a fan. Meanwhile, Dave’s producer Aaron Rapoport (Seth Rogen) finds himself publicly humiliated by a fellow journalism alum who has a position with a large network doing “respectable” work, but disdains Rapoport’s lower-budget interviewees and sensational stories. The approval- craving egos of these two cohorts fire them to pursue a wacky plan of meeting The Great Dictator for an exclusive live world interview, which would bolster the reputations of both of them.

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and Performer

Michael-Ann Azouli sings and plays guitar. I first saw her perform as a guest vocalist working with David Paul Campbell at the Coach House in San Juan Capistrano circa 2007 or so, when they opened for James McMurtry, but I had lost track of her. Our well-beloved Editor Jessie Lilley assigned this writer the task of covering Michael-Ann. I made first contact one Tuesday night at The Cowboy Palace Saloon, in Chatsworth, where we exchanged cards and she gave me her CD “Heavy Load.” But I was pressed for time and could not stay for the show.

Listening to the CD provided a richly satisfying study in authentic Americana and Classic Country, with touches of folk and bluegrass. Michael-Ann has been playing guitar some twenty years. But watching her play as she performs live, one would think she has been playing since she was four or five, as she has such easy facility with the acoustic guitar.

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Something Fishy This Way Comes

or Melvin Misses the Boat

by Dafydd abHugh

Nautilus Books and Reproductions

From: Phineas Gillrayn-Flewk, junior peon

To: Ajax Paige, Grand High Poo Bah

cc: J. Huston, R. Broadberry

Date: February 23rd, 1956

Memo: "Moby Dick" project

In re: Ancillary revenue/

Novelizing the MGM film written by

Roy Broadberry and John Huston

Jax, I have just finished the most torturous waste of good pulpwood I have ever swallowed, which, on your orders, I dutifully digested in a marathon THIR-TEE-SIX-HOURS, despite its extraordinary length of better (or worse!) than SIX HUNDRED VERY ODD PAGES.

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Thanksgiving Turkeys

In case the title doesn’t give it away, this month’s column is about some of my favorite less-than-stellar motion pictures. Yes, as much as it pains me, I put the word “Turkeys” in the title. But, if I’m being completely honest, I abhor the word being used to describe movies that I grew up with and have a warm, fuzzy fondness for.

To me, turkeys have always been big budget boners – whether they be vanity projects that big-name stars just had to see committed to film (“Battlefield Earth”, “After Earth”) or just directors/producers who believed they had a handwritten invitation to the last supper (“Heaven’s Gate”, “The Postman”). But when a filmmaker – mega talented or falling a tad short – takes $1.87 cold hard American cash that he or she earned from a paper route and, along with a booklet of S&H Green Stamps, makes a movie, no matter how epic the fail, I have a hard time classifying it as a turkey. Take Ed Wood, William Beaudine, Del Tenney, Don Dohler and other directors whom the lubberly Medved brothers love to slam. It may not be the most popular of opinions but I find more passion in their work than I found in a single frame of “Heaven’s Gate” – apologies to Michael Cimino because I honestly love much of his writing and directing.

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by Brad Linaweaver

"Our elections are the envy of the world."

Sam Waterston's character gives a pep talk in THE NEWSROOM

Every now and then, I watch all the episodes of my favorite continuing character TV series. It's an iconic vision from the 1960s. There are seventeen episodes, an hour each.

I refer, of course, to the greatest cult television show of all time, Patrick McGoohan's The Prisoner. It wasn't only different from other shows. It stood in opposition to other shows, including the wrongheaded attempt at a remake.

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I Saw What I Saw When I Saw It

Growing Up in the 1950s & 60s

With Television Reruns and Old Movies

Frank J. Dello Stritto—Self Published—2014—400 Pages

reviewed by Michael Copner

It has been said that every member of the Baby Boomer Generation recalls where they were when they heard the news in 1963 that President JFK had been shot. In his new book, I Saw What I Saw When I Saw It, writer Frank Dello Stritto makes the contention quite clear that most in our Monster-Boom Generation know where they were and in what stage of development their life was when they discovered horror and sci-fi. In a unique blend of autobiography and film commentary, Mr. Dello J. Stritto unfolds his own unique discovery of our favorite film genre in a way to which every film fan may relate.

The development of motion pictures, radio and television—how each evolved and held influence over the other media—that is one focus of this book.

How the post cinema mythology was unveiled randomly on TV in the 1950s and 60s to a young generation of viewers, and particularly the impact it had on family life, and later career decisions. These are the base of a second connecting thread running through this book.

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Portrait of C. Courtney Joyner by L.J. Dopp

A Conversation with

C. Courtney Joyner

Interviewed by L.J. Dopp

C. Courtney Joyner is foremost a writer—of screenplays, teleplays, short stories, and lots of non-fiction. He’s had over 25 scripts produced, and has directed three of them. He’s an avid collector of all things Universal—as in horror—as well as nearly all things filmic, and has been my friend for 27 years. Court is also a well-known western writer and a film historian to the point that AFI calls him to host their screenings and DVD distributors seek out his commentaries for classic films. This interview was taped at my Sherman Oaks apartment on two Wednesdays, February 8 and 22, 2012.

LJD: You made a film when you were a student at USC—how did you get Sam Peckinpah to go along with the documentary?

CCJ: It was difficult; I just sat down and started writing letters… to everybody I could think of who’d worked with Sam. I had no contact info for anyone, so if I got any answer at all it was from some agency telling me they weren’t interested—that type of thing. Finally, the two people who responded were L.Q. Jones and Warren Oates. And—Warren Oates wrote me a very, very sweet letter from his filming location.

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Atlas Shrugged Part 3

"Who Is John Galt?"

Report from the Set

by J. Kent Hastings

On Monday, February 3rd, 2014, I visited the set of Atlas Shrugged Part 3: "Who Is John Galt?", the final movie of a series that completes the first film adaptation of Ayn Rand's 1957 perennial best selling novel.

Harmon Kaslow, one of the producers of Atlas Shrugged, invited J. Neil Schulman to the set and Neil brought me in on the deal. Neil rated the invite as the author of the prophetic 1979 novel, Alongside Night, and also as the director/screenwriter of its movie adaptation (being released this year). I was an editor on Alongside Night and like Neil, I wore other hats on the production. Neil is arranging an exchange of movie trailers between the film projects and discussing promotional tactics with the associate producer of Atlas Shrugged Part 3's new media efforts, Scott DeSapio.

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Texas Frightmare Weekend

An Event NOT To Be Missed

Everybody's gonna be in Texas in May, including our very own Mondo Girl, Vicki Marie Taylor.

Back in 2005, Loyd and Sue Cryer decided enough is enough. There has got to be a blow-out Horror Con in Dallas. They got together with Rue Morgue and made the dream a reality. Texas Frightmare Weekend has been growing stronger and stronger year after year.

George Romero and Tobin Bell are this year's Honored Guests, and will be surrounded by no less than Linda Hamilton, Michael Biehn, Earl Boen and Robert Patrick – to name only a few.

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Fade Into Day

J. Neil Schulman's

Alongside Night

Reviewed by Jerry Jewett

Ayn Rand published her monumental magnum opus Atlas Shrugged in 1957. Producing it for the big screen took until 2011 for the first of three segments, an achievement Rand did not live to experience. J. Neil Schulman wrote Alongside Night in 1979, with a substantially shorter 'gestation period' to reach the big screen beginning in 2014.

Both movies have in common that they deal with philosophies, ideas and the consequences of ideas, shockingly radical ideas offensive to neo-cons, majoritarians, liberals or other conventional or statist thinkers: ideas about moral culture, property, liberty and economics that are at odds with contemporary dogma and in defiance of historical trends.

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Mondo Girl Recommends...

Our own Mondo Girl, Vicki Marie Taylor, shows off her latest recommendation! Taylor, a long time fan of the iconic 80s actor Corey Feldman took the time to pose with his latest biography Coreyography and is demanding that all who are fans of Feldman add this to their collection or else!

Feldman shares intimate details of his friendship with Corey Haim, details of his career and discusses some of the perils and pitfalls of Hollywood. Feldman can also be seen in a horror film titled Six Degrees of Hell. Our lover of the world of horror, the sexy Taylor, also owns this film and says that Feldman carries the entire film as Super Stars tend to do. She notes that certain scenes remind her of childhood nightmares, which is a very good thing. Finally, she states that this film should be added to any horror film collection.

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Silicon Assassin

The Man of the Hour

by Jerry Jewett

Troubled times beget troubling art: witness Zamyatin's We, Huxley's Brave New World, Picasso's Guernica or Orwell's 1984. When life has become torturous or fearsome for ordinary people owing to usurpation of their rights and liberties by high-handed "executives," "administrators" or "leaders," conflict and strife abound. And in the early phases of consolidation of power after a coup d'état, things often go still worse for the subjected hordes. The early Soviet era in 20th century Russian history, or Hitler's acts of brutal police power after the Reichstag Fire, exemplify this.

Read The Full Article by Jerry Jewett...

What Do Other Publications

Think of us?

Mondo Cult #3

Edited by Jessie Lilley

Published by Brad Linaweaver

2012, 1601 pages, $13

from the Prometheus newsletter

This brief review can in no way do justice to the third issue of Mondo Cult, which packs in several magazines' worth of material between full-cover pages. Although adhering to no solid publishing schedule, Mondo Cult, when it arrives, has become a critical vehicle for the review and study of classic film, music, books, and people of science fiction, horror, and fantasy. In this issue over 30 writers contribute articles. Photos of actors, writers, and other personalities fill virtually every page, along with images of classic movie posters, advertisements and cartoons, not to mention a Frank Frazetta picture on the back cover. One could spend hours reading and re-reading this magazine, and still discover or re-discover new aspects of what is covered.

Read The Full Article by Anders Monsen...

The Visible Ray

by Brad Linaweaver

There is a special fraternity that experienced a crushing loss this year. I count myself a member. We have no old dark house in which to meet. There are no arcane handshakes, or glittering rings on anyone's fingers, to herald membership in this particular fraternity.

Ray Bradbury referred to me as an honorary son. I've met others who received this honor. I told Ray that he was my second father. He heard that from a chorus of voices throughout the years. There is a fraternity, but the number is not infinite.

We now live in a world without Ray Bradbury. But memory never dies.

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Deap Vally

Live & CD

by Jerry Jewett

Sometimes things happen curiously, or rather, curiosity finds more than it sought. There I was, Tuesday, September 17th, with my Fender Showmaster stuck in the shop at McCabe's Guitars for upgrade work. I borrowed a few moments from office work on the computer to peruse the Fender website, the better to drool over the amp I would like to get to enhance my sound. That 65 Twin Custom 15 is still on Fender's website, thank God!

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Window of Opportunity

Exclusive Photos from the set of the

Silicon Assassin Project

Production on this project is wrapping up and we're all very excited about it here at Mondo Cult. Series creator (and Mondo Cult Publisher) Brad Linaweaver has given us permission to post these exclusive pix from this past weekend's shoot.

This episode, "Window of Opportunity", was directed by Mondo Cult favorite Christopher Douglas-Olen Ray.

Read The Full Article by Jessie Lilley...

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